Affiliated with FourthPillar.biz
© Jon Hawkes <email> <web>
The Hawkes library
Looking at this stuff is all very well. Far more rewarding is a face-to-face conversation with the real person.
I'm available for interactive presentations at remarkably reasonable rates. Check out my seminar options.
Seeing as how my book The Fourth Pillar can now be downloaded for free from sites all over the internet, I figure I should offer the same service myself, so here it is.
Cultural Displays
To Speeches & Papers
To Other People's Work
When I toured NZ in 2005, I made a series of one page summaries / lists / charts to use as both aides-memoire and projected displays. Since then, I have used many of these sheets in the presentations I have given. I've found them helpful, and many attendees have asked for copies. So here they are.
They're listed below in an order that has a sort of narrative to it. Perhaps it's the chapters of the next book; more likely, they are simply indicators to my random mental associations. Whatever, you may find some of them useful.
Title |
Description |
Just two things |
|
All the 'new planning paradigms' implicitly recognise that we live in a fractured society. They seek to re-make essential connections |
|
It may be possible to imagine some underpinning values on which most of us might agree |
|
Culture as content, practice and results. Here is a way of envisaging culture that assists with integrating thought and action. |
|
The dynamic between imagination and reason. Cultural development can be viewed as dialectic: emerging from the interplay between two helical mindsets. Both are essential. Both need to be nurtured. |
|
Pillars of Sustainability is a limiting and misleading metaphor. Here are some alternatives. |
|
Our lives can be viewed as unfolding in four domains. It's possible that most of the big questions can be slotted in to this quaternity. |
|
Dividing things into four is a common human activity; here are some examples |
|
Looking sideways across the four dimensions: each impacts upon the others. Sorting these out raises key issues |
|
Seven reasons why it's useful to apply a cultural perspective to policy making and evaluation |
|
The twenty characteristics exhibited by a culturally vital society |
|
Four cons that are integral to cultural vitality |
|
Putting ideas into practice |
|
A notional structure for a local government cultural affairs branch showing all the activities for which such an integrated unit might be responsible |
|
The three key cultural issues to address: active participation, diverse authenticity and continuing engagement |
|
Assessing changes in cultural vitality |
|
Descriptions of cultural rights |
|
And why we need them |
|
A quartered square that demonstrates the different ways in which we engage in cultural production and reception |
|
Creative participation is the key to cultural vitality and the key to universal creative participation is access. I don't mean access to products and services (what could be called passive access) but access to the tools of production and the levers of power (that is, active access). |
|
These three concepts are constantly confused, concatenated and overlapped. Here is a way of meaningfully connecting them. |
|
The intrinsic value of art |
|
The instrumental value of art |
|
Why participatory arts are so important to the health of society |
|
In considering the application of public resources to artmaking, the four perspectives can be used to examine the potential public benefit |
|
Re-ordering traditional priorities to achieve engagement and sustainability |
|
A list of indicators, specifically focused on the arts, that one could imagine emerging from a process of 'community efforts to track progress towards a desired future'. |
|
Bureaucracies can't help themselves; history shows us that these systems inevitably exhibit a range of tendencies designed to make the world more manageable, more predictable, more secure, more measurable. Perfectly understandable, but not really conducive to discovery. For artmaking to flourish these tendencies need to be recognised and reined in. |
|
Cultural development within bureaucracies |
|
Approaches to surviving while making art: It's no easy thing having an artmaking predisposition. Obsessives find different ways of managing their gift / affliction. Here are some. |
Speeches & Papers
Date |
Title |
Context |
27/3/14 |
Navigating Through the Pillars: are we coming closer to culture?
|
A conversation between Jordi Pascual and Jon Hawkes, 26/3/14, for a publication by the European Cultural Foundation celebrating 15 years of capacity building |
20/5/13 |
High Culture
|
My response to attending the UNESCO conference in Hangzhou |
15/5/13 |
Shaping Policies
|
Short presentation at UNESCO's International Congress on Culture and Sustainable Development, Hangzhou, People's Republic of China |
25/8/11 |
Why This Work Is Important
|
Paper for CANWA publication 'Growing Communities: arts and culture in local government', 2012 |
4/11/10 |
Making Sense Together
|
Keynote address at 'My City's Still Breathing: a symposium exploring the arts, artists and the city' for the Winnipeg Arts Council as part of Winnipeg Cultural Capital of Canada program. |
17/1/10 |
A Notional Cultural Framework & Arts Policy
|
Prepared for the Cultural Development Network as a response to the call by the Minister for the Arts, Peter Garrett, for input to the development of a 'National Cultural Policy to 2020'. |
15/10/09 |
Some links to web-based examples of this. |
|
2/6/09 |
The Social Responbilities Of Public Galleries
|
Keynote speech at 'Into the Future', a forum organised by the Public Galleries Association of Victoria as part of their AGM in the Benalla Art Gallery |
26/5/09 |
The Impact of Music
|
The outline of a twelve part lecture series designed for, and presented within, the Music Faculty of the University of Melbourne as part of its 'breadth' subject offerings. |
30/4/09 |
Challenges for local cultural development
|
Paper for the Barcelona Institute of Culture |
25/10/06 |
Creative democracy
|
Address at Interaccio '06; Community Cultural Policies; Barcelona Provincial Council, Barcelona, 24-27 October 2006 |
10/06 |
Why Should I Care?: Participation is fundamental to engagement
|
An 'invited reflection' in Museums & Social Issues, A Journal of Reflective Discourse; A Culture of Sustainability 1(2) Fall 2006, California |
7/9/06 |
The hammer of justice
|
Presentation to Music, Community, Justice: Australian sounds, a one-day conference hosted by La Trobe University in association with the Gorgeous Voices Festival and St. Luke's, Bendigo, Friday September 8th, 2006 at the Visual Arts Centre, Bendigo |
29/11/04 |
Let Them Eat Culture or Here Comes Another Bandwagon
|
Presentation to 'The Fourth Pillar Conference' for the Cultural Development Network at the Melbourne Town Hall |
14/7/04 |
Cultural implications of sustainability
|
Presentation to the Coastal Sustainability Forum hosted by the Victorian Coastal Council at Atlantic South Wharf, Melbourne |
15/5/04 |
Heritage & Culture
|
Presentation to the Heritage Parks monthly meeting, Ballarat |
16/4/04 |
Community, Culture & Creativity
|
Presentation to the Community Development, Human Rights and the Grassroots Conference, hosted by the Centre for Citizenship & Human Rights, Deakin University at the YWCA Conference Centre, Melbourne |
28/11/03 |
Social Plan, Cultural Policy
|
Address to Seminar and AGM, Metropolitan Public Libraries Association of NSW at Novotel, Olympic Park, Homebush |
23/10/03 |
The Link Between Culture and Environment
|
Keynote speech at the Outback Summit, the 15th National Conference of the Environment Institute of Australia and New Zealand held in Broken Hill |
26/8/03 |
Community Cultural Development according to Adams & Goldbard
|
Article for Artwork, Issue #56 |
22/8/03 |
The Challenge of Active Community Engagement
|
Presentation to 'Grass Roots: communities, collections, councils', a forum organised by the Public Galleries Association of Victoria, Museums Australia (Vic) & the Cultural Development Network (Vic) |
6/8/03 |
Comments on Charles Landry's 'International Perspectives on Cultural Policies'
|
Landry was commissioned by the City of Melbourne to provide it with an analysis of city-focused cultural polices across the world in order to inform the City's proposed development of a cultural policy. |
28/7/03 |
Understanding Culture
|
Address to the National Local Government Community Development Conference. 'Just & Vibrant Communities' hosted by the LGCSAA, Townsville, Queensland |
11/7/03 |
Governance and Engagement
|
Address to the City of Port Phillip symposium, 'Beyond Cultural Policy' |
12/5/03 |
The Right to Participate
|
Presentation at 'A Different Edge', an industry seminar held as part of the Art of Difference Festival, Gasworks Park, St Kilda |
25/2/03 |
Shaping arts training in response to community needs
|
Speech at 'Creating Connections', an arts industry forum hosted by ARTV & CREATE at the North Melbourne Town Hall Arts House |
13/10/02 |
Creative Engagement
|
Speech at Groundswell, Regional Arts Australia National Conference, Albury |
2/10/02 |
Delivering long term sustainable social change through the arts
|
Speech to the Social Inclusion & the Arts forum, Arts SA |
Other People's Work
Date |
Title |
Context |
27/10/09 |
Towards a national cultural policy
|
Australia's Arts Minister, Peter Garrett, launches what he hopes will become a 'national dialogue' on cultural policy |
1/9/09 |
Proposal of a new cultural policy profile
|
Jordi Pascual's reasons for a new cultural policy profile along with an excellent organisational chart |
2002 |
Community Cultural Development according to Adams & Goldbard
|
The principles and core beliefs underpinning ccd |
1997 |
The social impact of participation in the arts
|
Francois Matarasso puts the case for supporting participatory arts projects as arising principally from their contribution to social policy objectives |
Affiliated with FourthPillar.biz
© Jon Hawkes <email> <web>